Category Archives: color

RED DOOR, MAZAPIL, MEXICO

I just put this picture up on Instagram, I had taken it some time ago and thought I’d throw some color in to my black and white world. I made the photo in Mazapil, Zacatecas, Mexico in 2007; it is

RED DOOR, MAZAPIL, MEXICO

I just put this picture up on Instagram, I had taken it some time ago and thought I’d throw some color in to my black and white world. I made the photo in Mazapil, Zacatecas, Mexico in 2007; it is

FOOT PRINT AND ROOF, TULUM, MEXICO

Two pictures taken within 50 yards of one another. Both taken with my Samsung Galaxy S3. I love phone cameras, I always have it with me and while the technical specs aren’t enough for printing they work great for everything

FOOT PRINT AND ROOF, TULUM, MEXICO

Two pictures taken within 50 yards of one another. Both taken with my Samsung Galaxy S3. I love phone cameras, I always have it with me and while the technical specs aren’t enough for printing they work great for everything

GREAT SALT LAKE

I’m not much of a sunset photographer, as much as I enjoy watching the sun rise and set. What I really like about early morning and late afternoon is the color that’s created as the low sun works it’s way

GREAT SALT LAKE

I’m not much of a sunset photographer, as much as I enjoy watching the sun rise and set. What I really like about early morning and late afternoon is the color that’s created as the low sun works it’s way

GUADALUPE RIVER

This is an older photograph but it holds a certain amount of pride for me, it’s the first photograph I had published in a book. The book was titled “Texas On A Roll, Images of Texas by Texas Photographers“. It

GUADALUPE RIVER

This is an older photograph but it holds a certain amount of pride for me, it’s the first photograph I had published in a book. The book was titled “Texas On A Roll, Images of Texas by Texas Photographers“. It

NORITSU NIRVANA

Scans have been hit or miss for me with 35mm film. The scans I’ve made of 120, 4×5 and 8×10 negatives and transparencies look wonderful. The only way I can describe the problem is that the 35mm scans don’t look

NORITSU NIRVANA

Scans have been hit or miss for me with 35mm film. The scans I’ve made of 120, 4×5 and 8×10 negatives and transparencies look wonderful. The only way I can describe the problem is that the 35mm scans don’t look

THE POWER OF LIGHT

This is another image that made me stop while driving. I’m still in work-print stage as I think the file can be tweaked further to improve the sky and foreground. The fence was that white and it’s what caught my

THE POWER OF LIGHT

This is another image that made me stop while driving. I’m still in work-print stage as I think the file can be tweaked further to improve the sky and foreground. The fence was that white and it’s what caught my

SQUARED COLOR

Black and white always seemed logical and intuitive to me. Additionally, I see my images in black and white even before they’re made with the camera.Since the development of digital technology and inkjet printing I can now print my color

SQUARED COLOR

Black and white always seemed logical and intuitive to me. Additionally, I see my images in black and white even before they’re made with the camera.Since the development of digital technology and inkjet printing I can now print my color